Create

But, now, why do you say that?” “Well,” Bayta’s eyes misted with thought as she curled her bare toes into the white softness of the rug and nestled her little chin in one plump hand, “it seems to me that the whole essence of Seldon’s plan was to create a world better than the ancient one of the Galactic Empire.

None had the courage to gather these dead for burial; they were left there to rot and create plagues.

Non-authorship activities performed on items that are in the public domain—so-called “sweat of the brow” work—don’t create a new copyright.

The Clarion sounds, and from a Postern-gate An echo of sweet music doth create A fear in the poor Herdsman who doth bring His beasts to trouble the enchanted spring,— He tells of the sweet music, and the spot, To all his friends, and they believe him not.

Create in us a clean heart and renew a right spirit within us, strengthen us all in Thy faith, fortify our hope, inspire us with true love one for another, arm us with unity of spirit in the righteous defense of the heritage Thou gavest to us and to our fathers, and let not the scepter of the wicked be exalted against the destiny of those Thou hast sanctified.

If Sansa Stark should be seen in the Vale, the eunuch will know within a moon’s turn, and that would create unfortunate… complications.

Stan Nogotny said it was as if the Catholics, Baptists, and Seventh-Day Adventists had gotten together with the Democrats and the Moonies to create a religious-political Disneyland.

Non-authorship activities performed on items that are in the public domain—so-called “sweat of the brow” work—don’t create a new copyright.

And there’s a better target, one whose duties create, necessarily, a monstrous blind spot.

And as for our painter friend, Master Schoonmaker here, now that we have seen what he can do with ordinary materials”—van den Meer indicates the Master’s painting in the edge of the room, eclipsed just now by the tulips, whose blossoms are standing goblets of bloody and pearly light—“our friend can take a subject more worthy of his talents and create for us a painting that we can mount at some formal occasion.

Non-authorship activities performed on items that are in the public domain—so-called “sweat of the brow” work—don’t create a new copyright.

This was the being I was helping to transfer to London, where, perhaps, for centuries to come he might, amongst its teeming millions, satiate his lust for blood, and create a new and ever-widening circle of semi-demons to batten on the helpless.

Therefore, he who considers it necessary to secure himself in his new principality, to win friends, to overcome either by force or fraud, to make himself beloved and feared by the people, to be followed and revered by the soldiers, to exterminate those who have power or reason to hurt him, to change the old order of things for new, to be severe and gracious, magnanimous and liberal, to destroy a disloyal soldiery and to create new, to maintain friendship with kings and princes in such a way that they must help him with zeal and offend with caution, cannot find a more lively example than the actions of this man.

You were — reckless — with the world some people — some very dear friends of mine and yours — sacrificed a huge amount to create and sustain.ALBUS: Yes, Professor.SCORPIUS: Yes, Professor.PROFESSOR McGONAGALL: Go on.

Non-authorship activities performed on items that are in the public domain—so-called “sweat of the brow” work—don’t create a new copyright.

Non-authorship activities performed on items that are in the public domain—so-called “sweat of the brow” work—don’t create a new copyright.

Non-authorship activities performed on items that are in the public domain—so-called “sweat of the brow” work—don’t create a new copyright.

He will say, for instance: “I may be mistaken about my value, and on the other hand may nevertheless demand that my value should be acknowledged by others precisely as I rate it:—that, however, is not vanity (but self-conceit, or, in most cases, that which is called ‘humility,’ and also ‘modesty’).” Or he will even say: “For many reasons I can delight in the good opinion of others, perhaps because I love and honour them, and rejoice in all their joys, perhaps also because their good opinion endorses and strengthens my belief in my own good opinion, perhaps because the good opinion of others, even in cases where I do not share it, is useful to me, or gives promise of usefulness:—all this, however, is not vanity.” The man of noble character must first bring it home forcibly to his mind, especially with the aid of history, that, from time immemorial, in all social strata in any way dependent, the ordinary man was only that which he passed for:—not being at all accustomed to fix values, he did not assign even to himself any other value than that which his master assigned to him (it is the peculiar right of masters to create values).

I've got a temporary lab set up at the house, until I can create a better one.

Enough force to destroy the universe, perhaps ... or to create a new one.

Besides, now and then such unaccountable odds and ends of strange nations come up from the unknown nooks and ash-holes of the earth to man these floating outlaws of whalers; and the ships themselves often pick up such queer castaway creatures found tossing about the open sea on planks, bits of wreck, oars, whaleboats, canoes, blown-off Japanese junks, and whatnot; that Beelzebub himself might climb up the side and step down into the cabin to chat with the captain, and it would not create any unsubduable excitement in the forecastle.

Non-authorship activities performed on items that are in the public domain—so-called “sweat of the brow” work—don’t create a new copyright.

Non-authorship activities performed on items that are in the public domain—so-called “sweat of the brow” work—don’t create a new copyright.

These repeated forgeries and falsifications create a well-founded suspicion, that all the cases spoken of concerning the person called Jesus Christ are made cases, on purpose to lug in, and that very clumsily, some broken sentences from the Old Testament, and apply them as prophecies of those cases; and that so far from his being the Son of God he did not exist even as a man—that he is merely an imaginary or allegorical character, as Apollo, Hercules, Jupiter, and all the deities of antiquity were.

Yet man will never be perfect until he learns to create and destroy; he does know how to destroy, and that is half the battle.” “So,” added Madame de Villefort, constantly returning to her object, “the poisons of the Borgias, the Medicis, the Renées, the Ruggieris, and later, probably, that of Baron de Trenck, whose story has been so misused by modern drama and romance—” “Were objects of art, madame, and nothing more,” replied the count.

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Why”—he continued with sudden warmth—“does she create the choicest beings only to mock at them?

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These great fevers create great dreams.

Non-authorship activities performed on items that are in the public domain—so-called “sweat of the brow” work—don’t create a new copyright.

He got the feeling that when they finally connected, they would create a picture he didn’t like.

Should not every apartment in which man dwells be lofty enough to create some obscurity overhead, where flickering shadows may play at evening about the rafters?

Realising, too, that he must abandon all ambitions in the great world, he determined to retire absolutely from it and to create, as it were, at Crome a private world of his own, in which all should be proportionable to himself.

After all not to create only, or found only, But to bring perhaps from afar what is already founded, To give it our own identity, average, limitless, free, To fill the gross the torpid bulk with vital religious fire, Not to repel or destroy so much as accept, fuse, rehabilitate, To obey as well as command, to follow more than to lead, These also are the lessons of our New World; While how little the New after all, how much the Old, Old World!

I’m genuinely thinking of trying to re-create Foxface’s trip up to the pyramid in hopes of finding a new means of destruction when my eyes light on the burlap bag of apples.

but now the Age of Clay Returns in horrid cycle, and the earth Hath borne again a noisy progeny Of ignorant Titans, whose ungodly birth Hurls them against the august hierarchy Which sat upon Olympus; to the Dust They have appealed, and to that barren arbiter they must Repair for judgment; let them, if they can, From Natural Warfare and insensate Chance, Create the new Ideal rule for man!

“I gazed on my victim, and my heart swelled with exultation and hellish triumph; clapping my hands, I exclaimed, ‘I too can create desolation; my enemy is not invulnerable; this death will carry despair to him, and a thousand other miseries shall torment and destroy him.’ “As I fixed my eyes on the child, I saw something glittering on his breast.

L. Bob Rife wanted to reverse-engineer the skills that Enki possessed; by analyzing Enki's me, he wanted to create his very own neurolinguistic hackers, who could write new me that would become the ground rules, the program, for the new society that Rife wants to create."

a lb or the other ones with the cherries in them and the pinky sugar 11d a couple of lbs of course a nice plant for the middle of the table Id get that cheaper in wait wheres this I saw them not long ago I love flowers Id love to have the whole place swimming in roses God of heaven theres nothing like nature the wild mountains then the sea and the waves rushing then the beautiful country with fields of oats and wheat and all kinds of things and all the fine cattle going about that would do your heart good to see rivers and lakes and flowers all sorts of shapes and smells and colours springing up even out of the ditches primroses and violets nature it is as for them saying theres no God I wouldnt give a snap of my two fingers for all their learning why dont they go and create something I often asked him atheists or whatever they call themselves go and wash the cobbles off themselves first then they go howling for the priest and they dying and why why because theyre afraid of hell on account of their bad conscience ah yes I know them well who was the first person in the universe before there was anybody that made it all who ah that they dont know neither do I so there you are they might as well try to stop the sun from rising tomorrow the sun shines for you he said the day we were lying among the rhododendrons on Howth head in the grey tweed suit and his straw hat the day I got him to propose to me yes first I gave him the bit of seedcake out of my mouth and it was leapyear like now yes 16 years ago my God after that long kiss I near lost my breath yes he said was a flower of the mountain yes so we are flowers all a womans body yes that was one true thing he said in his life and the sun shines for you today yes that was why I liked him because I saw he understood or felt what a woman is and I knew I could always get round him and I gave him all the pleasure I could leading him on till he asked me to say yes and I wouldnt answer first only looked out over the sea and the sky I was thinking of so many things he didnt know of Mulvey and Mr Stanhope and Hester and father and old captain Groves and the sailors playing all birds fly and I say stoop and washing up dishes they called it on the pier and the sentry in front of the governors house with the thing round his white helmet poor devil half roasted and the Spanish girls laughing in their shawls and their tall combs and the auctions in the morning the Greeks and the jews and the Arabs and the devil knows who else from all the ends of Europe and Duke street and the fowl market all clucking outside Larby Sharons and the poor donkeys slipping half asleep and the vague fellows in the cloaks asleep in the shade on the steps and the big wheels of the carts of the bulls and the old castle thousands of years old yes and those handsome Moors all in white and turbans like kings asking you to sit down in their little bit of a shop and Ronda with the old windows of the posadas glancing eyes a lattice hid for her lover to kiss the iron and the wineshops half open at night and the castanets and the night we missed the boat at Algeciras the watchman going about serene with his lamp and O that awful deepdown torrent O and the sea the sea crimson sometimes like fire and the glorious sunsets and the figtrees in the Alameda gardens yes and all the queer little streets and pink and blue and yellow houses and the rosegardens and the jessamine and geraniums and cactuses and Gibraltar as a girl where I was a Flower of the mountain yes when I put the rose in my hair like the Andalusian girls used or shall I wear a red yes and how he kissed me under the Moorish wall and I thought well as well him as another and then I asked him with my eyes to ask again yes and then he asked me would I yes to say yes my mountain flower and first I put my arms around him yes and drew him down to me so he could feel my breasts all perfume yes and his heart was going like mad and yes I said yes I will Yes.

Derby described the incredible artificial weather that Earthlings sometimes create for other Earthlings when they don’t want those other Earthlings to inhabit Earth any more.

Old Auda ibn Zuweid corrected me gravely when I said this to him, telling me, “It is not an army, it is a world which is moving on Wejh.” I rejoiced at his insistence, for it had been to create this very feeling that we had hampered ourselves with an unwieldy crowd of men on so difficult a march.

Ed Witwer didn’t create it.

And what a fantastic concept, combining human flesh with supernatural elements of nature to create a godhead.

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And I declare my faith; I mock Plotinus’ thought And cry in Plato’s teeth, Death and life were not Till man made up the whole, Made lock, stock and barrel Out of his bitter soul, Aye, sun and moon and star, all, And further add to that That, being dead, we rise, Dream and so create Translunar Paradise.

Non-authorship activities performed on items that are in the public domain—so-called “sweat of the brow” work—don’t create a new copyright.

Non-authorship activities performed on items that are in the public domain—so-called “sweat of the brow” work—don’t create a new copyright.

Non-authorship activities performed on items that are in the public domain—so-called “sweat of the brow” work—don’t create a new copyright.

O anything, of nothing first create!

As some few of the old inhabitants become modified the mutual relations of others will often be disturbed; and this will create new places, ready to be filled up by better adapted forms; but all this will take place very slowly.

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They can create doors where there were no doors.

Everything you ever create will be thrown away.

Non-authorship activities performed on items that are in the public domain—so-called “sweat of the brow” work—don’t create a new copyright.

Traditions the most picturesque, episodes the most pathetic, local associations teeming with the thoughts of gods and great men, may crowd in one mighty vision, or reveal themselves in more substantial forms to the mind of the poet; but, except the power to create a grand whole, to which these shall be but as details and embellishments, be present, we shall have nought but a scrap-book, a parterre filled with flowers and weeds strangling each other in their wild redundancy; we shall have a cento of rags and tatters, which will require little acuteness to detect.

They positively create difficulties so that their wealthy and weary clients may spend money and diplomacy in overcoming them.

Non-authorship activities performed on items that are in the public domain—so-called “sweat of the brow” work—don’t create a new copyright.

Non-authorship activities performed on items that are in the public domain—so-called “sweat of the brow” work—don’t create a new copyright.

Non-authorship activities performed on items that are in the public domain—so-called “sweat of the brow” work—don’t create a new copyright.

Non-authorship activities performed on items that are in the public domain—so-called “sweat of the brow” work—don’t create a new copyright.

When I behold this goodly frame, this World Of Heaven and Earth consisting, and compute Their magnitudes; this Earth, a spot, a grain, An atom, with the firmament compared And all her numbered stars, that seem to roll Spaces incomprehensible (for such Their distance argues, and their swift return Diurnal) merely to officiate light Round this opacous Earth, this punctual spot, One day and night, in all their vast survey Useless besides; reasoning I oft admire How Nature, wise and frugal, could commit Such disproportions, with superfluous hand So many nobler bodies to create, Greater so manifold, to this one use, For aught appears, and on their orbs impose Such restless revolution day by day Repeated, while the sedentary Earth, That better might with far less compass move, Served by more noble than herself, attains Her end without least motion, and receives, As tribute, such a sumless journey brought Of incorporeal speed, her warmth and light: Speed, to describe whose swiftness number fails.” So spake our sire, and by his countenance seemed Entering on studious thoughts abstruse; which Eve Perceiving, where she sat retired in sight, With lowliness majestic from her seat, And grace that won who saw to wish her stay, Rose, and went forth among her fruits and flowers, To visit how they prospered, bud and bloom, Her nursery; they at her coming sprung, And, touched by her fair tendance, gladlier grew.

Non-authorship activities performed on items that are in the public domain—so-called “sweat of the brow” work—don’t create a new copyright.

Why in the world did He ever create pain?’ ‘Pain?’ Lieutenant Scheisskopf’s wife pounced upon the word victoriously.

Non-authorship activities performed on items that are in the public domain—so-called “sweat of the brow” work—don’t create a new copyright.

Non-authorship activities performed on items that are in the public domain—so-called “sweat of the brow” work—don’t create a new copyright.